Materials, process, and place
Workshop journal
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Why the first cut is only a proof
A clean laser path is the start of a piece, not the end of the making.
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Hawthorn, thresholds, and a careful line
How a familiar hedgerow plant becomes a motif without turning into generic Celtic decoration.
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Build a laser test grid before the gift
A small power-and-speed grid can save the final piece from becoming the expensive test.
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A finish that still feels like wood
Testing oils and waxes for a surface that protects without hiding the grain.
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The spiral on the hill
A workshop note on borrowing carefully from Meath’s ancient visual language.
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From grain to gift: choosing wood for a clean engraving
Why grain direction, density, and finish matter before the laser ever starts.